On The Rise

On The Rise: Ho99o9

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A couple months back a friend of mine suggested I take a listen to something. He wouldn’t tell me who it was until a few of the songs were over. As the final song finished, he asked what I thought. I said that was pretty cool and that I bet whoever it was would be pretty rad to see live as well. A couple minutes passed and he then told me it was this band Ho99o9 (aka Horror). I had heard the name before but never heard the music. At that point I sought out obtaining the album that he played me and I was sold. The album in question was United States Of Horror, which is also the bands debut studio album. Ho99o9 is a group that combines elements of hip hop, industrial, hardcore, and trip hop. Since their inception in 2012, Ho99o9 have been making a name for themselves with their explosive and adrenaline soaked performances. They’ve shared the stage with bands like The Dillinger Escape Plan, Street Sects, 3 Teeth and will soon be on tour with Korn and Alice In Chains this summer. Ho99o9 is the type of band that is needed at the moment. Just as things have gotten watered down by bands changing their style to match the atrociousness of groups like Imagine Dragons and Nickelback, Ho99o9 is the plague that is coming to rid us of all that garbage. I for one am very interested to see where this band goes and what sort of danger they bring back to the rock world. Ho99o9 is on the rise and rightfully so.
Ho9909- United States Of Horror:

On The Rise: Monuments

 

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There’s something in the water over in the UK. Over the past decade there has been a new explosion of bands coming out of the United Kingdom and leaving a mark on the heavy music scene. Bands like Architects, Sylosis and Bring Me The Horizon are leading the new UK scene. There is another band that deserves to be mentioned along with those above, and that band is Monuments. Formed by Fellsilent’s Josh Browne and The Tony Danza Tapdance Extravaganza’s John Travis, Monuments released their debut album Gnosis in 2012 (via Century Media Records). Their follow up album, The Amanuensis, really saw the band hit their stride in terms of songwriting and style. Their proggy djent sound along with groove driven elements, started to make Monuments more of a household name. The band would go on to tour with groups like Born of Osiris, After The Burial and Jeff Loomis. Not long after, lineup changes occurred and  new members were brought in. Now in 2018, Monuments have released their third album Phronesis. The album was recorded in various studios in different countries. Interestingly, the vocals were recorded with Ill Nino singer Christian Machado. The album itself is Monuments doing what they do best, delivering groovy djent with a bit of prog. This album sees the band exploring differnet territories and not going down the “play it safe” route. They seem to understand that evolution is necessary in order to prolong the longevity. Sure, some fans of the band might not dig on certain tracks, but the core essence of the band is still there.

 
Monuments- Phronesis:

Monuments-The Amanuensis:

 
Monuments- Gnosis:

Album Review: Meg Myers- Take Me To The Disco

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A couple years back Meg Myers came on the scene with a sense of urgency.  Her unbridled delivery and very real lyrics made her an artist to watch. Meg sure made an impact with her debut album Sorry as well as her intense live performances. Now on her second album, Take Me To The Disco, Meg takes risks and explores a side that delves deeper into the last couple years of her life.

The album begins with the title track “Take Me To The Disco.” This song sets a mood and gives you a lyrical taste of what is to come. “Numb” the first single deals with the pressures of being on a major label and all the weight that comes with it. “Jealous Sea” is one of those songs that really hits. The moody music and beats along with Meg’s lyrics and vocal prowess on this song really makes it a standout track. Other stellar songs include, “Tear Me To Pieces,” “Little Black Death,” “Done,” “Tourniquet” and “I’m Not Sorry.” One of my personal favorites “The Death Of Me” is one of the best songs Meg has ever written. You can feel every emotion she sings about from heartbreak, anger, and love. It’s a truly powerful song. Closing out the album is “Constant,” a song that really sums up the album and what it stands for. It’s one of those songs that gives you chills while listening.

 
Take Me To The Disco is an album that stands out on it’s own. It’s not trying to duplicate what Meg did on Sorry. The production of Christian “Leggy” Langsdon, crosses genres and gives the album a breath of fresh air among a sea of over-produced manufactured garbage. Meg Myers is as real as it gets. I’ve often thought of her as a cross between Fiona Apple and Tori Amos, and on this album her Tori side comes out a bit more. Meg is without a doubt a bright spot in a rather dull and corporate styled market. After listening to Meg bare her soul, you’ll understand why Meg Myers is truly an artist to watch out for.

 
Meg Myers- Take Me To The Disco:

 
Meg Myers- Sorry:

 

On The Rise: Vein

 

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There is a band that is out and about right now that is decimating audiences where ever they play. Their debut full length is leaving a lasting mark in the heavy music circles. And the best part is they are still so young. I’m talking about the band Vein. This is one hell of a band and they deserve your attention.

Vein formed in Boston, Massachusetts in 2013. Their music takes bits and pieces from metalcore, hardcore, punk, and a hint of early nu-metal. Their debut album Errorzone, is one of 2018’s most acclaimed albums. The album in no way sounds forced or out of place. You can tell that each member of the band has studied their influences and without trying to duplicate what they’ve heard, Vein has managed to make something that sounds inspired. There is a real sense of urgency to these songs and album. It’s almost like a call to arms of the entire scene. The length of Errorzone is barely 30 minutes. That tells you that there is no letting up. The eleven songs on the album pummel from the instant the album starts to the end.

Errorzone is just the beginning for Vein. They are on to something that reaches beyond just the hardcore genre. The way they experiment shows that they have so much more to offer. It’s going to be really fun to watch this band progress over the years. Vein is here to inject their style into you and let it take over.

 

Vein- Errorzone:

 

Vein- Virus://Vibrance:

 

On The Rise: Light The Torch

 

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I’ve said it many times before and I stand by it, heavy music and melody go together like peanut butter and jelly. They both come from different places but when they are combined the end result is perfect. There is a band out right now that does melodic heavy music perfectly, and that band is Light The Torch. You might recognize them originally as Devil You Know but, due to a former band member causing some issues, the remaining members opted to change the name and continue on albeit on a slightly different path. The first two Devil You Know albums were more in that “djent” style but now with Light The Torch, they have gone more melodic without losing the “heavy.” Singer Howard Jones (formerly of Killswitch Engage) sounds great and just as good as he did on the Killswitch album The End Of Heartache. The riffs courtesy of guitarist Francisco Artusato aren’t over complicated, instead they have a really subtle ebb and flow of clean and distorted tones.

Their album Revival is exactly the type of melodic heavy record that you’d want to hear from this band and Howard. When you have songs like “Die Alone,” “Calm Before The Storm,” “Raise The Dead,” and “The Safety Of Disbelief,” it really shows a different side of each member and allows Howard to showcase his pure singing voice. Then you have a song like “The Sound Of Violence,” which sounds a bit like Howards pre-Killswitch band Blood Has Been Shed. Closing the album is “Judas Convention” which is a great summation of what the album has to offer.

Revival isn’t reinventing melodic heavy music but it sure gives it a shot in the arm. Having Howard Jones in this sort of shape both vocally and lyrically gives Light The Torch the guidance needed to really leave their mark on the scene. I’m just putting this out in the aether but, a Killswitch Engage/Light The Torch tour sure would make a lot of sense and would be HUGE!!

 

Light The Torch- Revival:

On The Rise: Fire From The Gods

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Every now and then a band comes along and reignites a genre that hasn’t been relevant in a while. Depending on what time you grew up, you just might have a connection to that specific genre. The mixing of rock/metal and hip hop has been around for almost 30 years now. Some bands were able to do it extremely well like Rage Against The Machine, and some more underground bands like Downiest and Hed PE (their first album). Recently a band has come out that has brought back that sound but have done it in a way that isn’t cheesy like Limp Bizkit. I’m speaking of the band Fire From The Gods. Based out of Austin Texas, Fire From The Gods have incorporated hip hop into their music along with with a generous helping of melody, hardcore, and metal. I’d like to note that not all their songs feature the rap-rock sound, only a handful of the songs have rapping in them, like the song “Excuse Me.” Instead the band focuses on melody and hooks to gain your attention. The band, fronted by the very charismatic AJ Channer, is definitely a band that you need to look out for. I like to think of them as a more melodic Sevendust, only a bit more socially conscious. Their album Narrative is one hell of an album. It’s full of all the above I mentioned but also a very uplifting feeling. Musically the band is tight and churn out some tasty riffs and rhythms. From their videos I’ve seen, their live shows are full of energy and heaviness.  It’s no wonder why Fire From The Gods are a band to watch out for.

 

Fire From The Gods- Narrative (Retold):

 

By: Brian Lacy

On The Rise: Spotlights

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Since starting Audioeclectica, I’ve had the great pleasure of being sent many bands to check out. As a connoisseur of music and a fan, being able to listen to so many bands and their work is quite fun. Sure, I get some duds from time to time but, when I hear a band that I dig, quite often the hairs on my arms stand up and I turn the volume up super loud so my neighbors can hear what I’m listening to. Recently, a band came across my inbox called Spotlights. I have heard the name before but never heard them. So needless to say my curiosity was peaked. And the end result of what I heard was absolutely astounding.

Spotlights are a Brooklyn-based band featuring married couple Mario and Sarah Quintero. One of the great things about Spotlights is their ability to channel different genres and make them sound like you’re hearing them for the first time. Taking bits and pieces from space rock (a la Failure), alternative rock (Siamese Dream era Smashing Pumpkins), shoe gaze (My Bloody Valentine), and a bit of an industrial/electronic vibe (more recent Nine Inch Nails comes to mind), Spotlights have created a sound that reverberates and resonates as a work of art.

Their upcoming album Seismic, will be one of the best albums you will hear all year. Each song brings about a genuine sense of passion and belief that is missing in a lot of bands these days. The production on the album, courtesy of Aaron Harris (Palms, Isis, etc) really captures the sound of the band and then some. On a side note, Aaron plays drums on the album, as well. The entire album is inspiring and deep. I can’t even pin point one song that sums the album up, you have to hear the whole thing, when it comes out October 6 via Ipecac Records.

Spotlights are a band that you NEED to pay attention to. Bands like this don’t come around too often, and they deserve all the accolades and love being thrown their way.

 

Spotlights- Learn To Breathe (From Seismic):

 

Spotlights- Tidals (Full Album):

 

Spotlights- Seismic (Pre-Order):