The movie Airheads is quite a fun one to go back and watch. It’s still ridiculous and silly but, there is something so good about it. Perhaps it’s because of Adam Sandler and Steve Buscemi, or Chris Farley, or even the soundtrack (which is absolutely worth checking out if you haven’t). I still remember watching the movie years back and seeing White Zombie performing “Feed The Gods” and thinking, how cool they were live. I still wish I had been able to see them live. Anyways, this song I’ve always thought was a badass White Zombie song.
The 2001 parody movie, Not Another Teen Movie had it’s moments of hilarity but, the best part of the movie truly was the soundtrack. There are so many great cover songs on it. One of my favorites from it is Scott Weiland’s version of Depeche Mode’s “But Not Tonight.” The song is originally a B Side to the “Stripped” single by Depeche Mode. It was written during the bands Black Celebration era. Scott’s version is quite different but, it’s equally impactful. There’s a real warmth to Scott’s version too.
Yesterday evening, I was on a Deftones rabbit hole and found myself looking up a lot of Adrenaline era live videos. While on this trip, my interest in the song “Teething” peaked the most. I will always remember the song from being a part of The Crow: City Of Angels Soundtrack (great soundtrack but, terrible movie). I especially remember that they are in fact featured in the movie playing the song. “Teething” most definitely should have been included on the Adrenaline album. It’s such a cool song. So, enjoy some Deftones today!
Metallica’s “I Disappear” from the Mission Impossible II soundtrack. The song that started the whole talk about illegal downloads and music on the internet and in the end, Lars was right. But, that’s not what this topic is about. One day I will go into more detail about my thoughts on that whole thing. This is about the song itself. Written by James Hetfield and Lars Ulrich, this song is quite an interesting one. It’s got a bit of a “Black Album” meets Load/Reload vibe to it. Definitely not one of their best but, it’s still got a fun vibe to it. I remember the video to this song being pretty decent too. Another fun tidbit about this song is that since its release, Metallica has played it live 92 times (the most recent being in 2013).
Metallica- I Disappear (Video):
Back in 2001, the first Lara Croft Tomb Raider movie with Angelina Jolie came out. There was a lot of hype about the movie and it was pretty meh. The one thing that I really enjoyed about this movie was the soundtrack, in particular, the song “Deep” by Nine Inch Nails. The song has some interesting history. It’s been argued that this was written specifically for the soundtrack while others say it was written during The Fragile era. I tend to agree with the latter. There’s even some speculation that “Deep” has some tie ins with the song “Even Deeper.” The video for the song is quite cool and interesting. The story in the video is told in reverse, with the end of the story beginning the video. Anyways, when you are a big Nine Inch Nails fan like myself, you tend to get excited anytime you hear a NIN song in a movie or trailer. This song is a pretty cool jam and deserves some more attention, so enjoy it!
Let’s travel back to 1992 and revisit the soundtrack for the Buffy The Vampire Slayer. While the movie has achieved some cult status over the years, and the TV show has been hailed, the soundtrack has become a bit of an after thought. When you look at the soundtrack though, you can see why it would be. Though there has always been one song on it that has been intriguing. That song is “Light Comes Out Of Black” by Pantera featuring Rob Halford. In an interview some years ago, Rob Halford commented on how this came to be. “I was away from Priest. Sony were working on the soundtrack. They wanted Sony artists and asked me to write a song. I hadn’t written as a solo writer for years and years and years. But it’s one of those things where you don’t know what you can do until you put your nose to the grindstone. So I wrote “Light Comes Out of Black,” and I was stuck. And I got Dime’s number, and I called him up and I said, “Here’s the deal.” And he goes, “Let’s do it. Just get in the plane and come down to Dallas.” So that’s what I did the next day, went to the studio, laid the track down in a very short space of time. Phil wandered by, said “Oh, how’s it going, ‘metal god’?” So I told him and he said, “You got a spot for me?” I said, “Pfft, here’s the mic.” So Phil joins me on the back end of the song. And it turned out really good. It’s amazing to think that that’s a Pantera song really. It is Pantera with me on lead vocals, and Phil obviously doing the outro sections. But it’s a Pantera song really.
So without anymore delay, here’s the song!
Pantera with Rob Halford- Light Comes Out Of Black:
The Breakfast Club is one of the best films to come out of the 80’s and it’s also one of the most poignant films of a generation. It’s one of those films that as time goes on, it will always be highly regarded and looked upon with acclaim. The story, the script, the performances in the movie are all stunning. As much as those elements make up a truly great film, the soundtrack that accompanied it was just as important, especially the song “Don’t You (Forget About Me)” by Simple Minds.
While scoring the film, Keith Forsey and Steve Schiff wrote the song with the band Simple Minds in mind to perform the song. Originally the band turned down the opportunity to record the song so it was then offered to Roxy Music’s Bryan Ferry as well as Billy Idol but, they too declined. According to Simple Minds singer Jim Kerr, the band didn’t want to do the song based on the feeling that “they should only record their own material. “We are Simple Minds – we don’t do songs that sound like Simple Minds. We are Simple Minds. We do our own songs.” After much persuasion from their record label as well as The Pretenders singer Chrissie Hynde (who was also married to Jim Kerr at the time), Simple Minds finally agreed.
This song was played twice in the film (the beginning and end) and it’s played such a pivitol role in the message of the film. It’s also worth noting that the band opted not to include the song on their album Once Upon A Time, which they were working on at the same time. Thus making it exclusive to the soundtrack. However in 1992, it did appear on the bands best of.
Back in 1996, one of the biggest movies of the year was Beavis and Butthead Do America. I still remember seeing that movie countless times with my childhood best friend. It was and still is one hell of a funny movie. One of the coolest parts of the movie was the soundtrack. In particular the song that White Zombie contributed to it entitled “Ratfinks, Suicide Tanks and Cannibal Girls.” Even the scene in which it’s featured is superb and super trippy. This White Zombie song was also the last thing the band would release before they broke up.
White Zombie- Ratfinks, Suicide Tanks and Cannibal Girls:
The End of Days soundtrack is a great example of a soundtrack that is way better than the movie. The soundtrack features many songs that are b-sides or previously unreleased. Korn’s contribution is a track entitled “Camel Song.” This was recorded during the Follow The Leader sessions and it only appears on this soundtrack.
Take a trip back to 1985 with me. Miami Vice (which is one of my top 5 all time favorite TV shows ever) is taking over the small screen and captivating audiences. Part of what made the show great besides the writing, acting, costumes, cars, and setting was the music on the show. Those in charge of picking the music for the show had a real knack for picking the perfect songs. The first soundtrack released for the show back in 1985 featured some great songs including “In The Air Tonight” by Phil Collins and two songs by Glenn Frey of the Eagles, “Smuggler’s Blues” and my personal favorite “You Belong To The City.” Glenn’s songs were written specifically for the show, in particular the episode entitled Prodigal Son, which Glenn had a small part in. This song (along with Jan Hammer’s theme) helped to propel the soundtrack to the top spot on the Billboard charts for 11 weeks.