It’s always fun to take songs of the same name and put them on back to back and contemplate about which one is better. There are so many of them out there and some are definitely better than some. One that I did recently were the songs “Sin” by Nine Inch Nails from Pretty Hate Machine and by Stone Temple Pilots on their album Core. Now these are both totally different but are quite good songs. The NIN one will always take the top prize for me. “Sin” the NIN version is in my top 10 all time favorite NIN songs.
The 2001 parody movie, Not Another Teen Movie had it’s moments of hilarity but, the best part of the movie truly was the soundtrack. There are so many great cover songs on it. One of my favorites from it is Scott Weiland’s version of Depeche Mode’s “But Not Tonight.” The song is originally a B Side to the “Stripped” single by Depeche Mode. It was written during the bands Black Celebration era. Scott’s version is quite different but, it’s equally impactful. There’s a real warmth to Scott’s version too.
Yesterday was marked 4 years since we lost Scott Weiland. It still sucks that he couldn’t get past all his demons to still create beautiful words and melodies. That being said though, we still have all the other great songs and albums he was a part of. Just like this very memorable performance from when Scott and Dean DeLeo were on Headbangers Ball and performed “Plush” acoustically. So take a few moments and enjoy this and celebrate the musical legacy Scott left us.
STP- Plush (on Headbangers Ball):
To this day, I will always remember the first time I heard “Lady, You Roof Brings Me Down.” I was sitting in my room doing my homework and listening to the radio and then there it was. I thought to myself, this doesn’t sound like Stone Temple Pilots but, that’s Scott singing. I was absolutely engrossed by what I was hearing. Then the song ends and the DJ says that it’s a song from Scott’s upcoming solo album and from the film Great Expectations.
Fast forward a bit and I now have Scott’s solo album, 12 Bar Blues in my stereo and I’m playing it on repeat. There was something odd and strange about this album and at that age I wasn’t quite sure what I was hearing and where this influence was coming from. So, I did what I’ve always done and really looked into it. To me 12 Bar Blues was an album Scott made to pay homage to those that really influenced and inspired him over the years. There is a real David Bowie and Iggy Pop element to the record among many others like Lou Reed and some in the R&B world.
The album was also made while Scott was deeply into his addiction and you can hear those nuances in the instrumentation, chord progressions, melodies and lyrics. You could tell, even back when STP made Tiny Music From The Vatican Gift Shop, that Scott was looking to explore different styles and sounds to break away from the “rock” sound, and he managed to create something that really stood out in a good way. When you listen to songs like “Desperation No. 5,” “Barbarella,” “Where’s The Man,” “Cool Kiss,” and “Mockingbird Girl” you can really hear the escape Scott was plotting as well as the influence. The album as a whole is a true piece of art and deserves to be acknowledged as such. For Scott’s first foray into making a “solo album” he really set a high bar for himself and others in his genre to follow.
I woke up this morning with Stone Temple Pilots in my head. Specifically the song “Atlanta.” So naturally I did what I always do and put that song on and then just let Number 4 start from the beginning. While listening to STP it got me thinking about their B-sides. Check out their B-sides over the years and songs that were previously unreleased.
Only Dying (from Core- Originally intended to be on The Crow Soundtrack):
All In The Suit That You Wear (from Thank You- Originally intended for the Spiderman Soundtrack):
Stone Temple Pilots have released another new song from their upcoming self titled album due out March 16. It’s very well known that no one will ever come close to Scott Weiland and his talent, melodies, and lyrics, that’s just irreplaceable. Stone Temple Pilots seem to have found the right guy for the job though. On the two songs released so far, “Meadow” and the new one “Roll Me Under” Jeff Gutt fits the profile of what the next singer of STP should sound like. He’s right in the range vocally of Scott so it won’t be a stretch for him to sing the older songs. The new song “Roll Me Under” sounds like a classic STP song. At least it’s not anything as bad as their work with Chester Bennington.
Stone Temple Pilots during their career wrote some of the best closing songs. The ones from Core (Where The River Goes), Purple (Kitchenware and Candybars), and Number 4 (Atlanta) are all cemented in my mind when it comes to great album closers. Each one of these songs is the perfect compliment to those great albums, especially “Kitchenware and Candybars,” and “Atlanta.”
Take a listen to these great songs and fall in love with those albums again!
I really don’t understand why this keeps happening. There seems to be a trend nowadays of taking a classic song and then a very unoriginal/uninspiring takes said song and absolutely ruins it. Recently, Avenged Sevenfold released a cover of the classic and very profound “Wish You Were Here” by Pink Floyd. I don’t even need to say anymore but, I have to say that this is probably one of the worst covers I’ve ever heard. Their version reminded be that Fred Durst from Limp Bizkit and Johnny Reznick from the Goo Goo Dolls did a really bad version of this song too.
So which one is worse?
Avenged Sevenfold- Wish You Were Here:
Fred Durst, Johnny Reznick, and Wes Borland- Wish You Were Here:
Here’s a good cover version… At least Scott Weiland can sing it properly.
We live in a very strange time. Some bands try to stay relevant with a revamped lineup. Though most of the time, the new lineup just doesn’t cut it. A great example of this occurred a couple years back when, Stone Temple Pilots recruited Linkin Park’s Chester Bennington to front the band after they fired Scott Weiland. The band with Chester made a surprise appearance at a KROQ radio festival, and left many in the crowd wondering “What the hell?” This utterly disgusting idea was not just a bad idea but, it also tarnished the legacy of STP. Granted Scott was struggling again with his demons but, come on, picking Chester is like the equivalent of picking Alvin form Alvin and the Chipmunks to be the singer. The band would put out a terrible EP called High Rise, and they would tour, playing to half empty venues and mildly curious fans. I’m sure there were people out there that dug on it, but seriously, how can this be called Stone Temple Pilots without Scott?
Scott is no longer with us but, he left quite an impact on not the rock world but music in general. His lyrics, melodies and voice will always be remembered. I had hoped that STP and Scott would have one more chance at it before he died but, that didn’t come to fruition.
Take a listen to this wretchedly bad idea, and you’ll understand why this sucked.
I had the pleasure of seeing Stone Temple Pilots a few times in my life. When I saw them Scott was always on his game. The one thing that kind of bothered me about the show was the set list. The songs that were chosen to play were mainly just the “hits.” I had hoped that each time they would play some deep cuts, but that didn’t happen. Even though Scott has left us, here is what I would have loved to hear at a show.
Here are the rules:
Rule 1: maximum 25 songs
Rule 2: What line up of the band would it be
Rule 3: Where would you want to see the show
Lineup: Scott, Dean, Robert, Eric
Venue: El Rey Theater
Interstate Love Song
Kitchenware & Candybars
Trippin On A Hole In A Paper Heart
No Way Out
Dead & Bloated
Piece Of Pie
Where The River Goes