Scott Weiland

Memorable TV Performances: Stone Temple Pilots on Headbangers Ball

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Yesterday was marked 4 years since we lost Scott Weiland. It still sucks that he couldn’t get past all his demons to still create beautiful words and melodies. That being said though, we still have all the other great songs and albums he was a part of. Just like this very memorable performance from when Scott and Dean DeLeo were on Headbangers Ball and performed “Plush” acoustically. So take a few moments and enjoy this and celebrate the musical legacy Scott left us.
STP- Plush (on Headbangers Ball):

 

 

Solo Album Spotlight: Scott Weiland- 12 Bar Blues

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To this day, I will always remember the first time I heard “Lady, You Roof Brings Me Down.” I was sitting in my room doing my homework and listening to the radio and then there it was. I thought to myself, this doesn’t sound like Stone Temple Pilots but, that’s Scott singing. I was absolutely engrossed by what I was hearing. Then the song ends and the DJ says that it’s a song from Scott’s upcoming solo album and from the film Great Expectations.

Fast forward a bit and I now have Scott’s solo album, 12 Bar Blues in my stereo and I’m playing it on repeat. There was something odd and strange about this album and at that age I wasn’t quite sure what I was hearing and where this influence was coming from. So, I did what I’ve always done and really looked into it. To me 12 Bar Blues was an album Scott made to pay homage to those that really influenced and inspired him over the years. There is a real David Bowie and Iggy Pop element to the record among many others like Lou Reed and some in the R&B world.
The album was also made while Scott was deeply into his addiction and you can hear those nuances in the instrumentation, chord progressions, melodies and lyrics. You could tell, even back when STP made Tiny Music From The Vatican Gift Shop, that Scott was looking to explore different styles and sounds to break away from the “rock” sound, and he managed to create something that really stood out in a good way. When you listen to songs like “Desperation No. 5,” “Barbarella,” “Where’s The Man,” “Cool Kiss,” and “Mockingbird Girl” you can really hear the escape Scott was plotting as well as the influence. The album as a whole is a true piece of art and deserves to be acknowledged as such. For Scott’s first foray into making a “solo album” he really set a high bar for himself and others in his genre to follow.

 

Scott Weiland- 12 Bar Blues:

B-Sides: Stone Temple Pilots

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I woke up this morning with Stone Temple Pilots in my head. Specifically the song “Atlanta.” So naturally I did what I always do and put that song on and then just let Number 4 start from the beginning. While listening to STP it got me thinking about their B-sides. Check out their B-sides over the years and songs that were previously unreleased.

 

Only Dying (from Core- Originally intended to be on The Crow Soundtrack):

 

All In The Suit That You Wear (from Thank You- Originally intended for the Spiderman Soundtrack):

 

About A Fool:

 

You Can’t Drive Me Away:

 

Learning To Drive:

 

Heed The Water Whispers:

 

Samba Nova:

 

New Release: Stone Temple Pilots- Roll Me Under

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Stone Temple Pilots have released another new song from their upcoming self titled album due out March 16. It’s very well known that no one will ever come close to Scott Weiland and his talent, melodies, and lyrics, that’s just irreplaceable. Stone Temple Pilots seem to have found the right guy for the job though. On the two songs released so far, “Meadow” and the new one “Roll Me Under” Jeff Gutt fits the profile of what the next singer of STP should sound like. He’s right in the range vocally of Scott so it won’t be a stretch for him to sing the older songs. The new song “Roll Me Under” sounds like a classic STP song. At least it’s not anything as bad as their work with Chester Bennington.

 

Roll Me Under:

 

Meadow:

End Of Album Songs: Stone Temple Pilots

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Stone Temple Pilots during their career wrote some of the best closing songs. The ones from Core (Where The River Goes), Purple (Kitchenware and Candybars), and Number 4 (Atlanta) are all cemented in my mind when it comes to great album closers. Each one of these songs is the perfect compliment to those great albums, especially “Kitchenware and Candybars,” and “Atlanta.”

Take a listen to these great songs and fall in love with those albums again!

Where The River Goes (from Core):

 

Kitchenware and Candybars (from Purple):

 

Atlanta (from Number 4):

Cover Comparison: Avenged Sevenfold vs Limp Bizkit (Pink Floyd)- Wish You Were Here

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I really don’t understand why this keeps happening. There seems to be a trend nowadays of taking a classic song and then a very unoriginal/uninspiring takes said song and absolutely ruins it. Recently, Avenged Sevenfold released a cover of the classic and very profound “Wish You Were Here” by Pink Floyd. I don’t even need to say anymore but, I have to say that this is probably one of the worst covers I’ve ever heard. Their version reminded be that Fred Durst from Limp Bizkit and Johnny Reznick from the Goo Goo Dolls did a really bad version of this song too.

So which one is worse?

 

Avenged Sevenfold- Wish You Were Here:

 

Fred Durst, Johnny Reznick, and Wes Borland- Wish You Were Here:

 

Here’s a good cover version… At least Scott Weiland can sing it properly.

Velvet Revolver- Wish You Were Here:

 

Pink Floyd- Wish You Were Here:

That Was A Bad Idea: Stone Temple Pilots with Chester Bennington

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We live in a very strange time. Some bands try to stay relevant with a revamped lineup. Though most of the time, the new lineup just doesn’t cut it. A great example of this occurred a couple years back when, Stone Temple Pilots recruited Linkin Park’s Chester Bennington to front the band after they fired Scott Weiland. The band with Chester made a surprise appearance at a KROQ radio festival, and left many in the crowd wondering “What the hell?” This utterly disgusting idea was not just a bad idea but, it also tarnished the legacy of STP. Granted Scott was struggling again with his demons but, come on, picking Chester is like the equivalent of picking Alvin form Alvin and the Chipmunks to be the singer. The band would put out a terrible EP called High Rise, and they would tour, playing to half empty venues and mildly curious fans. I’m sure there were people out there that dug on it, but seriously, how can this be called Stone Temple Pilots without Scott?

Scott is no longer with us but, he left quite an impact on not the rock world but music in general. His lyrics, melodies and voice will always be remembered. I had hoped that STP and Scott would have one more chance at it before he died but, that didn’t come to fruition.

Take a listen to this wretchedly bad idea, and you’ll understand why this sucked.

Stone Temple Pilots with Chester Bennington:

 

STP with Chester LIVE:

Ultimate Set List: Stone Temple Pilots

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I had the pleasure of seeing Stone Temple Pilots a few times in my life. When I saw them Scott was always on his game. The one thing that kind of bothered me about the show was the set list. The songs that were chosen to play were mainly just the “hits.” I had hoped that each time they would play some deep cuts, but that didn’t happen. Even though Scott has left us, here is what I would have loved to hear at a show.

Here are the rules:

Rule 1: maximum 25 songs

Rule 2: What line up of the band would it be

Rule 3: Where would you want to see the show

Lineup: Scott, Dean, Robert, Eric

Venue: El Rey Theater

Setlist:

Meatplow
Vasoline
Lounge Fly
Interstate Love Song
Still Remains
Pretty Penny
Silvergun Superman
Big Empty
Unglued
Army Ants
Kitchenware & Candybars
Down
Trippin On A Hole In A Paper Heart
No Way Out
Dead & Bloated
Plush
Creep
Crackerman
Sin
Piece Of Pie
Where The River Goes
Atlanta

Op Ed: Stone Temple Pilots Take A Break

The wounds are still fresh and the scabs haven’t even begun to form. Now is not the time. Since Scott Weiland’s passing late last year, the surviving members of Stone Temple Pilots have taken it upon themselves to continue on. On one hand I totally understand their need and want to get back out there, but it’s just too soon. Their failed attempt to move on while Scott was still alive was atrocious. Their picking of Chester Bennington was awful. Have you seen the footage of it? I mean seriously, what are you guys thinking? The clips that I saw just showed Chester trying to emulate Scott all the way down to dying his hair pink, and swaying and moving on stage just like Scott would. Not too mention that Chester’s voice is too high and sounds nasally. It’s as though they created a tribute band already with the addition of Chester. At least when the band took a hiatus in the 90’s, the guys had the decency to start a new group under a different name. Remember Talk Show?

With enough time, I think that people would welcome an STP return. Look at Alice In Chains. When Layne passed away, they all did their own things and came back when enough time had passed. Granted there were quite a few doubters, but those that took the time to see the new Alice, saw that it’s a breath of fresh air that does the band justice. Jerry, Sean and Mike found the right guy in William DuVall. And now people are loving what William has done for the band.

What I’m saying is that now isn’t the time to get back out there. Let the people have the chance to get over Scott’s passing. Dean, Robert and Eric take some time and do something else. By getting STP going again, you are tarnishing the memory of what a great band you were. All people will think is that who ever you pick to sing for the band, it isn’t Scott and won’t come close. Start up Army Of Anyone again. I’m sure Richard Patrick from Filter would be down to get that rolling again. Or just start a new band and call it something else. You can play a few songs from your STP catalog, but don’t make an entire set from it. With enough time the wounds will heal enough for you guys to get the band back together with the right person.

As it says in the song “Creep”… “Take time with a wounded hand, cause it likes to heal.”

Tribute: Scott Weiland

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The music community lost one of the greatest voices last night. Scott Weiland’s voice, presence and words will now forever stand the test of time. Scott’s brilliant melodies could give you chills throughout your body. The way he sang and put himself out there with his words made him something special. His slithering dancing inspired by the likes of David Bowie and Iggy Pop, allowed you to really get in the groove of the music and feel like you were in the song. Through Scott’s career with Stone Temple Pilots, he carved out his place amongst the other bands during his time. He had the ability to reach so many people. Once STP released their classic and in my opinion ultimate masterpiece Purple, you knew that Scott was the real deal. Even his debut solo album 12 Bar Blues was a unique experience and really gave you insight to who Scott was.

I had the pleasure of seeing STP a few times in my life. Any time I saw them, Scott was on his game and delivered great performances. Velvet Revolver was a different story. So I just rather relive my moments with STP to remember Scott by.

When I heard the news of his passing last night, it really caught me off guard. We all knew that this was bound to happen, but the fact that it occurred now, just really bummed me out. It’s truly a beautiful feeling to be inspired and influenced by someone like Scott. Sure he had his demons and other personality traits that might not have been the greatest, but he sure could write great songs. Thankfully there is still the music that will continue on.

Here’s to Scott. Thank you for all the years of great music. May he find the peace he deserves.

 

Unplugged:

 
12 Bar Blues (Solo Album):

 
Purple:

 

Core:

 

Tiny Music… From The Vatican Gift Shop:

 
Number 4:

 

By : Brian Lacy