2003 saw the release of an anticipated movie that sort of (well not sort of) fell flat on its face. That movie was Freddy vs Jason. There was so much potential as to what that movie could have been but instead we got what we got. One thing that actually was cool about the movie was the soundtrack. Over the 20 songs featured on the soundtrack, you got to hear the end of the “nu-metal” era and the beginning of the “metalcore” era. You had bands like Slipknot, Killswitch Engage, Chimaira, Sevendust, Lamb Of God, Spineshank, Ill Nino, DevilDriver, Stone Sour and even Type O Negative, to name a few. Something else about this soundtrack that is worth noting is that 14 of the 20 songs on this soundtrack were previously unreleased songs by that bands.
Back in 1993 there was a movie that came out that was pretty mediocre but the soundtrack was an absolute beast. I’m talking about Judgement Night. The movie had Emilio Estevez, Cuba Gooding Jr, Jeremy Piven, Stephen Dorff and the great Denis Leary. The movie is less than memorable, though Denis Leary plays one hell of a bad guy. The soundtrack though became a cult classic and really was instrumental in bringing hip-hop and rock/metal together. Collaborations like Helmet and House of Pain, Biohazard and Onyx, Living Colour and Run DMC, Slayer and Ice-T really stood out as the go to tracks. Then there were others that were quite interesting like Pearl Jam and Cypress Hill, Sonic Youth and Cypress Hill, Dinosaur Jr and Del The Funky Homosapien. All in all this soundtrack was badass. There was even a collaboration between Tool and Rage Against The Machine but, neither band was happy with the end result so it didn’t make the album.
Judgement Night Soundtrack:
Tool and Rage Against The Machine- Can’t Kill The Revolution:
The year was 1990 and the musical landscape was about to change. The youth of that era was full of angst and just waiting to explode. Before the “Seattle Sound” became the soundtrack to many lives, there was a film that helped to bring awareness to what was going on, and that film was Pump Up The Volume. Not only was that film poignant for what it dealt with in terms of suicide, depression and general teenage angst but, the soundtrack that accompanied it was absolutely stellar. The soundtrack includes songs by Concrete Blonde, Bad Brains with Henry Rollins, The Pixies, Soundgarden, Sonic Youth and so many other great bands. The official released soundtrack leaves off a plethora of other gems like, “Scenario” by the Beastie Boys. Christian Slater’s character explains this when he introduces it on the air saying, “Now here’s a song from my close personal buddies, the Beastie Boys…a song that was so controversial they couldn’t put it on their first album.”
Take a few moments to revel in a great soundtrack. And take some time to watch the movie as well. It’s a great film, that still holds and still hits the mark with it’s message. Also on a side note, the film is directed by Allan Moyle, who also did Empire Records!
The other night, I couldn’t sleep and as I was flipping through the channels, I saw Airheads was just starting. It’s really fun to go back and watch movies you saw years ago, and see how much things have changed or haven’t. Airheads is still a fun movie, especially the scenes involving Lemmy. As I was watching, I realized how cool the soundtrack is. Featuring songs from Motorhead, White Zombie, Prong, Primus, Ramones and Anthrax, the soundtrack to Airheads is flush with 90’s rock and metal. And who can forget the name of the band… THE LONE RANGERS… “wait a minute, you can’t pluralize The Lone Ranger.”
We all know that feeling of watching a movie and noticing, wow, the music they picked for this is perfect. I really feel that way about the soundtrack for Dazed and Confused. Every song picked is perfect and really fits the vibe of the film. Having a soundtrack with Black Sabbath, Kiss, Deep Purple, and Lynyrd Skynyrd is tremendous enough. Then you add some other gems like “Sweet Emotion” by Aerosmith, and the most excellent “Stranglehold” by Lord Douche, Ted Nugent. Ok I’m done rambling on and on. Take a listen to one of the best soundtracks, and then later on go watch the movie!
The year is 1997 and one of the biggest comic books in the world, Spawn is made into a movie. Sadly, though the movie was wretched, but the saving grace of the entire thing was the soundtrack that accompanied the movie. Following a similar formula that worked for the movie Judgement Night, only this soundtrack paired rock bands with electronic artists as opposed to rap groups.. The likes of Metallica, Korn, Marilyn Manson, Filter, Incubus, and Slayer appeared on the album. This was definitely an experimental record that worked with certain songs, while some others not so much. The tracks by Filter, Incubus, Stabbing Westward, and Marilyn Manson are all standout tracks. Slayer teamed up with the very entertaining Atari Teenage Riot, for a rendition of “No Remorse.” that is absolutely nuts. So go back almost 20 years a have some fun listening to this!
When I first heard this album I was completely taken aback. To me it seemed like an album Neil Young didn’t finish and handed it to Eddie Vedder and said here do your thing. Sean Penn directed the movie version of Into The Wild and hand picked Eddie to do the soundtrack. As The story goes Sean Penn set up a viewing of a rough cut of the film, after which Eddie quickly got to work. After three days, Eddie gave Sean a range of material to work with. Sean then placed into the film what Eddie had given him, and Eddie then continued on to work on more material that Sean could add to the film. The songs Eddie came up with are rooted in folk music. There are also a couple songs that weren’t written by Eddie. The song “Hard Sun” is a cover of Gordon Peterson’s (better known as Indio). Corin Tucker of Sleater-Kinney performs backing vocals on the song as well. For the song “Society,” Eddie worked with singer/songwriter Jerry Hannan. Also a fun note the song “Guaranteed” won Eddie A Golden Globe, but was interestingly not nominated for an Oscar for the song. The length of the songs are quite short and it leaves you wanting more. It’s a great album to relax to or play after a long night on your way home.