There are certain songs by my favorite bands that I can’t help but listen to on a constant basis. Some of those songs are played at perfect times of the day or night. On such song that I’ve loved since the day I first heard it is “Nothing In Return (Walk Away)” by Down off their album Down III: Over The Under. This song is epic and beautiful. There’s something so powerful about this song that it gives me chills each and every time. The vocals by Philip H. Anselmo on this song are superb. I have had the opportunity to hear this song live a couple times and it’s been one of the highlights of those Down shows. This is not only one of my all time favorite Down songs, it’s one of my favorite songs ever. As an album closer too, this is just perfect. It’s one of those songs too that when it’s over, you want to start it all over again. What a majestic song!
I’m probably in a very small minority with what I’m about to say. To me, the best Pantera album is, The Great Southern Trendkill. This album emits a level of heavy that I think even surprised everyone involved in the making of it. I’ve always been very fond of the vocal production on this one too (courtesy of the masterful Sean Beavan working out of Trent Reznor’s studio in New Orleans). There’s something a bit more powerful and in your face about Philip’s delivery on this album. One thing is for certain, the first song on the album, the title track, “The Great Southern Trendkill” is one of the best title tracks. Everything about this song is badass. This is one of those title tracks that stands out amongst them all!
Let’s travel back to 1992 and revisit the soundtrack for the Buffy The Vampire Slayer. While the movie has achieved some cult status over the years, and the TV show has been hailed, the soundtrack has become a bit of an after thought. When you look at the soundtrack though, you can see why it would be. Though there has always been one song on it that has been intriguing. That song is “Light Comes Out Of Black” by Pantera featuring Rob Halford. In an interview some years ago, Rob Halford commented on how this came to be. “I was away from Priest. Sony were working on the soundtrack. They wanted Sony artists and asked me to write a song. I hadn’t written as a solo writer for years and years and years. But it’s one of those things where you don’t know what you can do until you put your nose to the grindstone. So I wrote “Light Comes Out of Black,” and I was stuck. And I got Dime’s number, and I called him up and I said, “Here’s the deal.” And he goes, “Let’s do it. Just get in the plane and come down to Dallas.” So that’s what I did the next day, went to the studio, laid the track down in a very short space of time. Phil wandered by, said “Oh, how’s it going, ‘metal god’?” So I told him and he said, “You got a spot for me?” I said, “Pfft, here’s the mic.” So Phil joins me on the back end of the song. And it turned out really good. It’s amazing to think that that’s a Pantera song really. It is Pantera with me on lead vocals, and Phil obviously doing the outro sections. But it’s a Pantera song really.
So without anymore delay, here’s the song!
Pantera with Rob Halford- Light Comes Out Of Black:
I’ve been in a Pantera mood the last couple days. I’ve mainly been listening to The Great Southern Trendkill (as it’s my favorite album of theirs). While I was going through all their albums I forgot about a few b-sides and covers that they did throughout their career. So here they are. The few b-sides they have and covers. Enjoy!
As of late I’ve started listening to Pantera again. I needed to take a break from them for a while. Though if I had some aggression I needed to get out, I made sure that The Great Southern Trendkill (My favorite Pantera album) was near by. So with all this in mind, it’s time to rank all the Pantera albums from not the best to the best.
I love to read biographies about bands and the people in them. One of the best things about these types of books are when they delve deep into the making of albums. While reading about that part I love putting the albums on and really invest myself in to what they were all about at that point. I recently read Rex Brown’s book about his time in Pantera. The stories were really interesting and it presented quite an interesting look into one of heavy musics most popular bands. The writing style was a bit juvenile but the content made it worth while. After reading the book I had more of an understanding why Pantera ended the way it did, and just how much Dimebag and Vinnie were immature. Rex really didn’t spare anyone. He blasted himself, Phil and the rest of the guys. One of the more interesting things was about how Dime and Vinnie’s father was collecting royalties from Pantera in the early days once they were signed to a major label. What a schmuck. This is a very fast read of a book and it packs quite a punch especially when it got to the murder of Dime and the other people at the Alrosa Villa in 2004. It’s well worth it if you are a Pantera fan. And even if you aren’t it shows a lot of how to deal with band dynamics and the do’s and don’ts. In a way this book is a great precursor to Philip’s book which should be out in 2015 and will undoubtably cause a lot of controversy I’m sure.
When Down announced they were going to go release a series of EP’s instead of a full length, I was excited. What that meant was more swamp-y, punishing riffs to go around. Not to mention More Philip Anselmo, Pepper Keenan and Jimmy Bower! Down IV Part II is 35 minutes, of sludgy riff madness. This EP is a more focused approach than Down IV Part I. Even though Rex Brown and Kirk Windstein are gone, Pat Bruders and Bobby Landgraf hold their own and bring in some fresh perspective to what Down is known for. Opening track “Steeple” is their best album opener since “Temptations Wings” from their classic debut NOLA. The riff is filled with such groove. Phil’s vocals are in top shape. “We Knew Him Well” is a solid jam with the heavy chunky riffs that down has become known for. “Hogshead Dogshead” opens with a swirling solo then jumps right into a crooning Phil. This could also be the weakest track on the album. “Conjure” has a very distinct Black Sabbath vibe. This is also one of the best songs they’ve ever written. Hopefully this becomes a live staple for all shows to come. “Sufferers’s Years” has a great intro and the guitar work throughout the song. Pepper and Bobby really play well off each other. This song really showcases that. Closing out the album is “Bacchanalia.” This song definitely has that 70’s vibe to it. Almost bordering on Thin Lizzy. Jimmy and Pat really shine as a rhythm section on this song. The outro explores the more acoustic nature of the band. This song could be foreshadowing into the realm of the next EP.
All in all Down has made an EP that they can be proud of. If at first you aren’t into it, give it a couple more listens and immerse yourself in the EP. Your mind will be changed. Down makes music in an honest fashion. There are no gimmicks when it comes to this band. What you see and hear is what you get. And with a lineup like this, you wouldn’t expect anything less.
Many “supergroups” have come and gone. Some have been great while others were put together to capitalize on the members names. One group that has always stood out to me is Down. During it’s inception, Down was meant to be a side project for the members during their downtime while in Pantera, Corrosion Of Conformity, EyeHateGod, and Crowbar. Comprised of Philip H. Anselmo, Pepper Keenan, Jimmy Bower, Pat Bruders, and Bobby Landgraf, (Rex Brown and Kirk Windstein have since parted ways with the band to focus on other projects) these gents have put together a formula of righteous heaviness. A lot of people pronounce Pantera as the holy grail of heavy, but I’ve always though that Down was the better band. Sure I get a lot of flack for this opinion, but I stand by it. All you have to do is listen to the songs. There really is something special about the music that these guys made. Not to take anything away from Pantera, Down just has had more of an impact on me.
Their first album NOLA, is quite a classic in todays heavy rock circles. Songs such as Temptations Wings, Stone The Crow, Losing All, Jail, and Bury Me In Smoke, all portray such vulnerability and strength in the delivery of them. After NOLA was released and a few shows were played, Down was put on the back burner until 2001. When Down reconvened, they did so at Phil’s home and transformed his barn into a studio and wrote and recorded their next album Down II: A Bustle In Your Hedgerow in 28 days. While the album wasn’t as solid as their debut, there are still quite a few gems on the album such as Ghosts Along The Mississippi, Learn From This Mistake, Beautifully Depressed, The Seed, and New Orleans Is A Dying Whore. In 2002 Down toured as part of Ozzfest, only to take another break soon after. Then again in 2006 they reformed in the wake of the travesty of Hurricane Katrina and the death of Dimebag Darrell. The result was Down III: Over The Under which proved to be every bit of what fans would expect the album to be. It’s raw and filled with anger, remorse, sadness, and hope. Quick side note it’s also the only of their albums not to have any profanity on it. The album features some truly great well written songs including The Path, On March The Saints, Beneath The Tides, In The Thrall Of It All and the epic Nothing In Return (which has become one of my favorite songs ever). In 2012, the release of part 1 of their 4 EP set was released. The Purple EP was a slight return to the raw unpolished sound of their original material. Misfortune Teller the closing track on the album really showcases this return. Down are now gearing up to release part 2 this year.
Down has been able to wrangle themselves into quite the group. They are honest musicians that create music that satisfies the savage beast in all of us. They can write songs that are heavy as heavy can be but also can take you on an epic trip. If you’ve never really given Down a listen you should really sit back and enjoy what they have to offer.
Nothing In Return: I love listening to this song to end my evening after a night out or just when I’m coming home from work.
Bury Me In Smoke: Another great song to end the night to, also a great song to just listen to while driving with the windows down.
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