Jack Shirley

Band Of The Week: King Woman

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Art and music go together like peanut butter and jelly. It’s just the right combination and it works out perfectly. When you have people that are inspired they are able to create something that stands out and inspires others. Recently I was introduced to King Woman, a band that evokes so much of what I love about music these days. The transcendental and psychedelic prowess of their music creates an aura of power and desire that is stunning as it is dark. I read somewhere that compared King Woman to Black Sabbath with Hope Sandoval of Mazzy Star fronting the band. That’s a pretty damn good way to describe what you are about to hear.

The debut album Created In The Image Of Suffering is full of doom rock, and sensual vocal melodies that will leave you with goosebumps and a feeling of warmth. The album was recorded by Jack Shirley, who recorded Oathbreaker’s masterpiece Rheia. So you know that this album is powerful and sounds brilliant. Being able to create music that is artful isn’t easy but, King Woman definitely harnessed the will to make something substantial and worth while.

 

King Woman- Created In The Image Of Suffering:

 

King Woman- Manna:

 

King Woman- Deny:

 

 

 

Must Own Albums: Oathbreaker- Rheia

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2016 was a tremendous year for great albums. I’ve mentioned it in previous posts and I stick to my thought, I honestly think that in about 10 years 2016 is going to be a very highly regarded year for music just as, 1994 was (not as poignant obviously). There is one album that I really want to point out as amazing, inspiring, emotional, and most importantly a masterpiece. I’m talking about Oathbreaker‘s album RHEIA. Since I first heard this album I can’t turn it off. It’s on constant repeat. Everything from the music, its depth, production, tones,  depth, artwork, lyrics,  and performances, especially that of singer/lyricist Caro Tanghe are incredible. I love the whole thing keep finding new things about the album that make me love it even more.

Every song on the album leaves you breathless. Rheia is more than just a masterpiece, it’s a genre defining album, that will inspire a slew of new bands. Taking black metal and mixing it with shoegaze (on a side note, I’ve always hated that term), Oathbreaker takes it further by their added sense of post hardcore, ambience, and acoustic sensibilities. This band emits a sense of honesty and ferocious tenacity that I haven’t heard in many years. Each members every emotion is worn on their sleeves as they deliver performances that will send chills up your spine.

I would go song by song but, I really want you all to hear this album from start to finish, and then we can talk. You have to listen to it. Rheia is an album that has the depth musically and lyrically that makes you remember why music is so powerful. I believe that music saves lives, and this album is one of those. Not only that but, when you listen, you feel it all too. The lyrics are beautifully poetic, dark, and intense. They are also some of the most personal and heartfelt words I’ve heard in a very long time. Caro Tanghe is a revelation as a writer and vocalist. The music is stunningly charasmatic along with heavy and pummeling. The beats of drummer Wim Coppers (and Ivo Debrabandere) help to really accentuate your heartstrings as Caro sings and screams, all the while guitarists (and bassists) Lennart Bossu and Gilles Demolder come at you with an attack of devastation and new life, through the use of their instruments.

Rheia is the true ALBUM OF THE YEAR for 2016. Transcending genres as well as setting the bar for their peers is remarkable. While this may not be for everyone, give this an honest shot. Read the words, and wrap yourselves up in what a masterpiece this album is. I thank you for listening and taking the time to do something for the love of great music that needs to be heard.

I present to you, Oathbreaker’s Rheia:

 

 

Or streaming on YouTube:

 

 

The Videos:

10:56/Second Son of R:

 

Immortals:

 

The Audiotree Session:

 

TOUR DATES:

 

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