Back in 1997, Jane’s Addiction reunited for a tour with Flea from the Red Hot Chili Peppers on bass instead of Eric Avery. To coincide with that tour, the band released a compilation album called Kettle Whistle featuring live tracks, demos and two new songs (“Kettle Whistle” and “So What”) featuring the “Relapse Tour” lineup. I remember being really excited about this record for some reason. One track on the album has always stood out to me and that is the version of “Three Days.” This live version was taken from their 1990 show at the Hollywood Palladium and it’s absolutely astounding. It’s one of those live versions that far supersedes the studio version.
Jane’s Addiction- Three Days (Live at Hollywood Palladium 1990):
Simply put, John Frusciante is a guitar legend. He is seriously amazing. Over the years, I’ve really come to love his input in the band and style he brings. This song, is off their album By The Way, which is quite underrated for many reasons. One of them being that, this is a very John driven album. “Don’t Forget Me” is one of the best songs on the album and it’s one of the bands best too. Just so happens to be a favorite of mine too. I could have easily put this in the alternate versions section but, this solo is just so damn good, it has to go here. So, enjoy what you are about to witness and hear!
Back in the yesteryear when MTV actually played music, they had some pretty amazing shows that were televised. On Halloween in 1997, Jane’s Addiction played a show at New York’s Hammerstein Ballroom. This Jane’s reunion would feature Flea on bass instead of Eric Avery. Jane’s Addiction would release the Kettle Whistle record which featured new songs “Kettle Whistle” and “So What” both featured Flea on bass, as well as alternate, unreleased and live tracks. The show for MTV was quite the performance and the set list was top notch. Enjoy this classic gem!
Jane’s Addiction- Hammerstein Ballroom, Halloween 1997 on MTV:
02. Aint No Right
03. Then She Did
05. Three Days
06. Mountain Song
07. Summertime Rolls
08. Jane Says
09. Classic Girl
10. Chip Away
11. Ted, Just Admit It
12. I Would For You
The year is 1997 and the auto-biographical film Private Parts about Howard Stern is drawing in audiences. While the film went on to be a success, there was another element of the whole thing that often gets overlooked and that is the soundtrack.
The year is 1995 and the Red Hot Chili Peppers are about to release their follow up to Blood Sugar Sex Magik. John Frusciante left the band and was replaced by Dave Navarro. By adding Dave Navarro, the Chili Peppers sound changed rather drastically. The lyrics grew darker, exploring the perils of drug use, depression, grief and many other themes along those lines. Navarro also added a heavier approach with his style of guitar playing. Granted this album was a bit of a detour from what the band had put out with Blood Sugar, One Hot Minute has become an album that with age, has become a true unsung masterpiece in the bands catalog. The history of the making of One Hot Minute is quite the story. Anthony Kiedis had relapsed, thus causing a slow down in the writing and recording of the album. But the end result was something special. Songs like “Warped,” “Aeroplane,” “My Friends,” “Tearjerker,” “One Hot Minute,” and “Transcending” are stellar compliments to a very underrated album.
One thing I’ve noticed over the years listening to the album is that Dave Navarro really brought something special and different to the band. He brought a different style to the band than what John Frusciante did, leaving a signature mark on the one album he did with the band. Interestingly, One Hot Minute isn’t an album that the Chili Peppers visit often. In fact they have even come out to say that “We don’t really feel that connected to that record anymore. No special reason, not to say we would never play those songs but we don’t feel that emotionally connected to that music right now.” Which is quite sad, considering how good the album really is. Hopefully there will be a time again that they revisit some of these songs.