I was having a conversation with a couple friends the other day. We were discussing a few bands and the thing that kept coming up was the voice of the vocalist. As we were chatting a list was starting to be made and why not make this a fun collaborative list! This list doesn’t necessarily mean they are terrible just that their voices aren’t easy to listen to (high pitched, nasally, obnoxious, etc). So, here we go…
Geddy Lee- Rush Tom DeLonge- Blink 182/Angels and Airwaves Perry Farrell- Jane’s Addiction/Porno For Pyros Claudio Sanchez- Coheed and Cambria Scott Stapp- Creed Myles Kennedy- Alter Bridge/Slash Daron Malakian- System Of A Down/Scars On Broadway Justin Hawkins- The Darkness King Diamond- Mercyful Fate/King Diamond Gerard Way- My Chemical Romance Davey Havok- AFI/Blaqq Audio Steven Tyler- Aerosmith Chris Carraba- Dashboard Confessional Bert McKracken- The Used Adam Lazzara- Taking Back Sunday Brian Molko- Placebo Billy Corgan- The Smashing Pumpkins Chino Moreno- Deftones Joey Belladona- Anthrax Dani Filth- Cradle Of Filth Ben Gibbard- Death Cab For Cutie/The Postal Service Sully Erna- Godsmack Chad Gray- Mudvayne/Hellyeah Anders Frieden- In Flames Chester Bennington- Linkin Park Cedric Bixler Zavala- At The Drive In/The Mars Volta Maria Brink- In This Moment Dave Mustaine- Megadeth Vince Neil- Motley Crue (anything post 1991) Tim Armstrong- Rancid/The Transplants Anthony Green- Saosin/Circa Survive Brian Aubert- Silversun Pickups Bjork Jewel Joni Mitchell Joan Baez Bob Dylan
One thing I genuinely enjoy about cover songs is when bands really make an effort to make it their own. Whether it’s changing up the vibe or arrangements, the new interpretation often times can take the song to new heights. A great example of this is The Smashing Pumpkins version of Joy Division’s “Transmission.” The Pumpkins take on it is spacey, borderline psychedelic and even transcendent at times. It’s different enough yet still pays homage in a very distinct way.
The Smashing Pumpkins- Transmission (from Adore Deluxe Set):
The Smashing Pumpkins- Transmission Live 98:
The Smashing Pumpkins w/Davey Havok and Peter Hook- Transmission Live 2018:
NEW TOPIC!!! This one will showcase all the hidden songs at the end of albums. You know the ones you had to wait 10-20 minutes for after the last song ended.
A.F.I.’s 2003 album Sing The Sorrow was quite a success. The album saw the band shift their sound even more from their once hardcore/horror punk roots. The end result though, despite many of the bands early fans not accepting the change, was an album that is pretty damn good. The album also featured two hidden tracks at the end. After a brief silence at the end of “…Bit Home Is Nowhere”, piano music begins to play as guitarist Jade Puget’s younger brother Gibson speaks the first third of the poem. After the poem is concluded, the hidden track “This Time Imperfect” fades in, featuring a guitar playing backwards and extensive sampling. “This Time Imperfect” is a really cool song that contains a lot of the elements heard on Sing The Sorrow.
I was going through my CD collection the other day and realized how many albums A.F.I. had. So naturally, I went on a listening binge of the ones I’ve always dug. Thus we are now at the point where I have made a ranking of all their albums (I’m not including EP’s or live albums) from worst to best. Let me know what your order would be.
On January 20, 2017, AFI will release their 10th full length studio album. This self titled affair has been dubbed “The Blood Album,” and features 14 songs. The first two songs released “White Offerings” and “Snow Cats” sound like a cross between The Art of Drowning and Sing the Sorrow. So for those of you out there that have been waiting for the “rock” edge of AFI again, it looks like this is the album for you.
AFI is a band that has gone through a lot of changes stylistically throughout their career. They started out as a punk band with hardcore roots, then shifted more to the Horror punk side of things. As time went on and the band evolved they found a balance of their roots of punk and added a more goth element to their music. So in 2003, AFI released their most ambitious album up till that point, Sing The Sorrow. Their die hard fans were caught off guard by the departure of their original sound, while at the same time finding a new audience. Sing the Sorrow was produced by Butch Vig and Jerry Finn, allowing the album to be more experimental. Lyrically, the album is darker and more poetic than their previous material. I for one, when I first heard the album wasn’t really in to it at all. It just wasn’t the AFI I was a fan of. Fast forward a few years and I revisited the album and really grew to love it. There is something truly intriguing about it. The depth of the songwriting really took things to another level for the band with the use of synths, strings and the all around lyrical content. Songs like “The Leaving Song Pts. I & II,” “Bleed Black,” “Death Of Seasons,” “But Home Is Nowhere,” really show the maturity of the guys in the band. There are some songs that are a little more radio friendly like “Girls Not Grey,” “Silver and Cold,” and “Dancing Through Sunday,” but that doesn’t change the fact that the songs are really good.
This is one of those albums that with time you really come to love. There is something about Sing The Sorrow that really hits home. Sure the production on it is a little too slick and AFI has completely changed from what they once were, but the growth on this album is truly astounding. Give it another shot if you gave up on them.
When Jade Puget joined the band, he had a hand in shifting the band from the more hardcore punk they were doing and injecting a more goth vibe to the music. Over the years you can totally hear Davey Havok’s love for The Cure in his voice and lyrics. They’ve been covering “Just Like Heaven” for years, and it’s great. It’s not too far from The Cure’s version but it’s still good!
In late 2013 A.F.I. released their album Burials which continues their evolution into the the more goth-pop side of things. Granted they will never be what they once were, Burials takes the best parts of Sing The Sorrow and mixes it with The Art Of Drowning style riffs. Their new album has stuck with me since I bought it and is far better than their previous 2 releases. Check out 2 tracks on this 2 For Tuesday!