Part of the fun of putting your iPod on random is just letting it play. This morning while on my way to work, a song came on that I hadn’t heard in a while. That song was “Anything” by Danzig from his unsung masterpiece that is Danzig III: How The Gods Kill. That song is truly one of the best songs in Danzig’s catalog. It’s a really well written song with great melody and riffs. Vocally it’s got a Jim Morrison vibe to it, something I really love (especially being a huge fan of The Doors). This is exactly the type of deep cut that every album needs and should be played live too. “Anything” is a very poetic song that at first comes across almost like a ballad but that is quickly tossed aside by one of the best guitar solos in a Danzig song ever, courtesy of John Christ. It’s also an interesting choice to place this song as track 2 on the album but, it’s perfectly placed to balance the ripping opener that is “Godless” and the follow up song “Bodies.” So, with all that in mind, take 5 minutes out of your day and let this song soak in!
Danzig- Anything (from Danzig III: How The Gods Kill):
The opening credits sequence of the The Hangover has one of the best songs to accompany it. Having Danzig’s “Thirteen” in this place is haunting and it absolutely sets a tone for what is to happen in the film. Interestingly, Danzig originally wrote the song for Johnny Cash. Cash’s acoustic version appears in an edited form on his 1994 American Recordings debut, while a full length version is on the Johnny Cash box set. No matter what, “Thirteen” is a great song and it’s use was perfect.
You are about to embark on one hell of a journey with Episode 4 of Audioeclectica Radio. After taking some time off to regroup, I’ve brought back the radio show. As always the show is very eclectic and features different styles and genres you might not normally listen to. This is one of the best playlists I’ve put together so far.
Don’t forget this show is totally interactive. So if you have any requests for certain bands/songs or even topics you’d like for me to elaborate on, send me a message or leave a comment in the comments section.
The year is 1992 and most of the musical world is caught up in the Seattle sound. It seems as though metal and music of that ilk has been swept aside. But was it really? No it wasn’t, instead it quietly stayed in the shadows and began to create it’s own entity just as punk music did in the 80’s and early 90’s. During this time many bands found a new way to evolve and grow to create albums that would become monumental and impactful. One such album is Danzig III: How The Gods Kill.
As a music enthusiast since a very young age, I’ve been able to see the power and effect specific bands from a point in time have on genres and on their peers. It’s truly a remarkable thing to see and hear. There is one band in particular that never really got their due and that is a bit unsettling in my mind. That band is Prong.
This is going to be quite the interesting and fun Same Name Song Battle. In this new battle, I put the song “Mother” up for question. On one hand you have Danzig’s very classic song from his debut solo album. And the other you have Pink Floyd’s song from their seminal and very influential The Wall.
This one is actually happening before I had the chance to do a full piece on it. I’d say it’s about time this happened. If Axl and Slash can set their differences aside and get back out on the road so can Danzig and Jerry Only. The fans have been wanting this for years now, and hopefully after these festival shows there will be a tour. I saw the Misfits years ago with Michael Graves singing, who did a good job, but it wasn’t the band that I enjoyed listening to. I’ve seen Danzig as well, and when he would do his Misfits set, it was quite enjoyable but there was something missing. Well here’s to hoping this goes well so we can see it all one more time before they hang it up.