2019 is upon us and Audioeclectica is going to be a lot a bit different this year. You will just have to keep reading and checking back to see what changes and what is to come.
For the first post of the year, I thought I would celebrate all the albums that are having major milestone anniversaries this year. The following albums are all hitting the 10, 15 20, 25, 30, 40 and 50 year marks. Some are absolutely legendary albums and others are just impactful albums that you and I would definitely consider to be great. While others are by bands that have had a lasting impact.
2018 is upon us and Audioeclectica is going to be a little bit different this year. You will just have to keep reading to see what changes and what is to come.
For the first post of the year, I thought I would celebrate all the albums that are having major milestone anniversaries this year. The following albums are all hitting the 10, 15 20, 25, 30, 40 and 50 year marks. Some are absolutely legendary albums and others are just impactful albums that you and I would definitely consider to be great. While others are by bands that have had a lasting impact.
It’s crazy to think that it’s been 25 years since Temple Of The Dog released their one and only album. For those that don’t know, this band and album was a tribute to singer Andrew Wood of Mother Love Bone (The band before Pearl Jam). This is one of those albums that still stand the test of time. I remember first hearing “Say Hello To Heaven” and “Hunger Strike” and being totally in awe of how good those songs were. Not to mention the guitar solo by Mike McCready on “Reach Down.” Seriously, Mike is one of the most underrated guitar players in the last 25 years. The entire album is from start to finish tremendous. There are a few things I find very interesting about this album. One, that it was made and released before Soundgarden put out Bad Motor Finger. Two, “Say Hello 2 Heaven” and “Reach Down” were written by Cornell in direct response to Andrew Wood’s death. While the rest of the songs were written about various topics. This is one of those albums that should be in everyone’s collection. It’s just so damn good.
It’s pretty crazy to think that 30 years has passed since Metallica released Master Of Puppets. Not only that but in those 30 years, Master Of Puppets has only gotten stronger. It’s widely considered to be in the top 10 heavy metal albums of all time, inspired countless bands to start up, and those songs when played live get the crowds into quite a frenzy that most of the time you can hear the audience more than you can hear James Hetfield. I remember when I first heard Metallica. And Justice For All was the album that I heard first, but of course once I fell in love with the band, I knew I had to go after the other albums that they had. Master Of Puppets, has such great use of melody and heaviness. It takes the blueprint that the band laid out on Ride The Lightning (my personal favorite Metallica album) and expanded upon it by making it more epic. There isn’t one song on this album that doesn’t fit in to their structure. Each song has a flow to it that jumps out at you as the next one begins. I really don’t even need to keep rambling at this point. You all know that Master Of Puppets is great and deserves to be celebrated. A few years ago while touring the European festivals, Metallica performed the album in its entirety. That must have been one hell of an experience to see live. Maybe one day when Metallica tours the states again, they do it for all of us out here. So with all this in mind take an hour out of your day and blast Master Of Puppets!!!
It’s really hard to believe that ten years has passed by this fast. It seems like just yesterday I was at the record store buying Darkest Hour’s Undoing Ruin. That album really cemented Darkest Hour as a force in the metal scene in that era. Not only that, but with the additional help of Devin Townsend on the production end, they were able to build on the sound of a lot of Swedish metal bands were doing like Soilwork and In Flames. Undoing Ruin also marked a point for the band in which they added some more melodic parts including cleaner vocals. Not to take away from their current lineup, but the five guys that appeared as the core lineup on many of Darkest Hour’s best albums made this band what it is. On the guitar side of things, Kris Norris and Mike Schleibaum complemented each other perfectly. Ryan Parrish and Paul Burnette were a beyond powerful rhythm section that pummeled through with tight precision. The album as a whole from start to finish was cohesive and tight. Each song flowed into the next without having any moments to deviate from the order. Songs like “With A Thousand Words To Say But One,” “Convalescence,” “Sound The Surrender,” “These Fevered Times,” and “Tranquil.” are standout tracks on their own, but in the context of the album as a whole, they are even better. Recently, Darkest Hour did a tour playing this album in its entirety. Sadly I missed that show and can only imagine how great it was. Here’s to hoping that this recent tour puts the band in the right mindset to release a new album soon that incorporates more of this type of sound.
Making a statement through music and art is always a complex thing to do. On one hand you know that this is the best and most fulfilling thing you can do. So much so that the direction and influence you feel at that point is going to define you. On the other hand, there is a sense that people out there won’t get it and thus give up on you. But for those that understand and really pick up on, know that this is the album that needed to be made and up till this point, it was only a matter of time. Ten years ago, Thrice released their masterpiece called Vheissu. At first it was met with a bit of hesitation but as time settled, the album began to take on a life of it’s own. Vheissu was a dramatic and experimental departure from the bands more post hardcore roots. Thrice took chances to make an album with more substance and meaning. Not to say that their previous releases weren’t up to par, but this album just had to push past all those to leave a mark. They took a chance with adding different elements including different instruments, time signatures, and the use of electronics. All of these things really helped to ensure a true artistic approach in the writing and recording process. There are so many standout songs on this album, it’s hard to pick the absolute best. My personal favorite “The Earth Will Shake,” is a perfect example of the bands progression and how well it worked out. “Red Sky,” “Atlantic,” “For Miles,” “Like Moths To Flame,” and “Image Of The Invisible” are all standout tracks on the album. The entire record as a whole is beyond anything in the bands catalog. Take a trip back ten years ago and listen to Vheissu again.
The mid 90’s were a very special time in music. So many ground breaking and influential albums came out and shaped the lives of my people. On August 15, 1995, Garbage released their debut album. After spending time doing remixes and working on other peoples records, Butch Vig, Steve Marker and Duke Erickson decided they wanted to take the different instrumentation they had been doing and form a full fledged band. According to the way the story goes, Steve Marker was watching 120 Minutes on MTV, when he saw the music video of Angelfish’s “Suffocate Me.” He then showed the video to Duke and Butch and had their manager track Shirley Manson down. Shirley Manson met up with Erikson, Marker and Vig for the first time in London. Due to Shirley’s other band on tour, Garbage was put on hold till after they finished their cycle. The three guys then attended Angelfish’s show in Chicago and Shirley was invite to audition for the group. The audition did not go well, but after talking with the guys while there and they found they had a similar taste in music. Shirley then called Garbage’s manager and asked to audition again.
The album itself is a blend of many different genres from punk, rock, techno, hip hop all with an incorporated pop tinge. There are so many great tracks like, “Vow,” “Stupid Girl,” “Only Happy When It Rains” and “Supervixen.” Radio and MTV really picked up on the bands singles. To support the albums release, Garbage was the main support for The Smashing Pumpkins while on their tour for Mellon Collie and the Infinite Sadness.
20 years into their career and Garbage still have a knack for creating great music. Their singles really still hold up well, as well as some of the deep cuts. The albums as a whole are a little iffy, but there is a real sense of pride within the bands as to what they have created. One thing I noticed while Listening back to all their albums, is that on Version 2.0, they really seemed to find their sound and hone it gracefully.
There is no doubt that all the members of the band are extremely talented, each bringing in something different to the table to create a great body of work. The one thing that always stood out to me about Garbage was Shirley Manson. She has a way about here that is part punk rock, alternative, and hypnotic. Her voice stands out amongst a lot of here peers in the entire genre.
Garbage is going on the road to celebrate their 20 year anniversary by playing their self titled debut in it’s entirety, as well as re releasing it with a slew of extras.
There are quite a few bands that really work to create a piece of work that is special. They don’t compromise their artistic integrity just to sell their albums. Instead they grind it out in hope that people will listen and grasp just what they are doing. One of those bands is Dredg. Never one to follow a trend or sacrifice their art for a buck, the guys in Dredg stand by their vision and don’t disappoint. Their third album Catch Without Arms just passed the ten year mark, and it still rocks just as much as when it came out. Catch Without Arms was released on June 21, 2005. This album showed a change to a simpler, and more straightforward musical style for the band but still had a bit of the etherial tinge that El Cielo had. The album was produced by Terry Date (Deftones, Pantera, Soundgarden) and had some additional help from Queensryche guitarist Chris DeGarmo.
Catch Without Arms features great songs such as “Ode To The Sun,” “Bug Eyes,” “Not That Simple,” “The Tanbark Is Hot Lava,” “Sang Real,” and “Jamais Vu.” These songs show the forward movement of the band and it’s members ability to write individual songs. Catch Without Arms is a concept album about opposites, mainly focused on positives and negatives. Each member brings something different to the table. Singer/guitarist Gavin Hayes has a very intriguing voice that makes his lyrics come to life. Drummer Dino Campanella is one of the most underrated drummers in music. His ability is astounding, not to mention his ability to play drums and piano at the same time. This is truly something awesome to watch. Mark Engles has a guitar tone that is his own. It’s melodic and clean that fits perfectly with the nature of each song. Bassist Drew Roulette grooves right along with Dino’s drums, and his bass lines add another element to each song.
Dredg is one of the most underrated bands to come out since 2000. They really know themselves and what they are capable of. Their ability to push the boundaries of their art is uncompromising and satisfying. Give this album another listen and you’ll see why it is an unsung masterpiece
Music will always stand the test of time. Certain albums will forever be revered as timeless. Some albums though don’t get the recognition they deserve. Which brings me to Sunny Day Real Estate’s debut album Diary. The album is considered by many to be a defining emo album. It has also been called the bridge between post hardcore and the emo genre. Listening to this album you can tell where Brand New gets a lot of their influence from. Lyrically there is a sense of realism throughout the album. Jeremy Enigk has a real knack for creating vocal melodies that compliments his softer voice and the words. Dan Hoerner’s guitar tone is heavy yet crisp and bright, which accents the soft vocals and the delicate nature in which Jeremy plays. Nate Mendel’s bass has a nice dirty tinge to it, adding just the right amount of distortion to balance with William Goldsmith’s heavy hitting drums. Songs like “Seven,” “In Circles,” “47,” “Grendel,” and “48” are all stand out tracks. Diary was different from those released by all the other Seattle bands at the time. It’s melodic but has a slightly heavy sound that has had a clear impact on future emo groups. It is the seventh best selling album released on Sub Pop Records, having sold more than 231,000 copies. In 2013, Diary took the first place in LA Weekly’s list of the “Top 20 Emo Albums in History”
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