Ever since Slipknot’s new album, We Are Not Your Kind came out, I’ve been hooked on it. We Are Not Your Kind is one hell of an album. In my opinion it’s the best album they’ve released since Volume 3: The Subliminal Verses. This new one has some of the darkest/heaviest lyrics since Iowa and musically it’s got a really interesting balance of Volume 3 and the self titled debut. With all that in mind, I thought a new ranking of Slipknot’s albums would be quite fitting.
Last week Slipknot released a new song from their upcoming new album, which is due out in 2019. Naturally, I went on a kick of listening to them for a few days. While having my own personal listening party, I started to think about all the b-sides they have from their albums. Well now, here they are.
From Slipknot:
Get This:
Snap:
Despise:
Interloper:
Me Inside:
Purity:
From Volume 3- The Subliminal Verses:
Don’t Get Close:
I recently read Corey Taylor’s book about the supernatural he has experienced and it put me on a kick of listening to Slipknot. So with that in mind I thought I’d rank all of Slipknot’s albums from not their best to their best.
Sometimes it takes a death to put thing into perspective. It’s never easy to deal with, especially when it’s someone very close. When it was announced that Slipknot were in the studio recording a new album, it was met with great skepticism. Joey Jordison was booted from the band under still unknown circumstances. So what would it sound like? Early reports from the band equated it to a mix between Iowa and Volume 3. Personally I think it is more mix of the first album and Volume 3. There are plenty of tributes to the late Paul Gray on the album. “Skeptic” really shows this especially with lyrics like “the world will never see another crazy motherfucker like you/the world will never know another man as amazing as you,” this seems like touching ode to their fallen brother. Lead single “The Devil In I,” is full of melody and introspective lyrics. The entire album is full of lyrics that examine loss, selfishness, pain, and anger. There’s also the sullen ballad of “Goodbye.” “Killpop” on the other hand is a leap into uncharted territory.This song finds the band stepping outside their skin to focus a new wave/electro pop attempt. The course soon heads toward more traditional fare, thumping percussion and bristling riffs. There is the occasional classic rapid-fire vocal delivery of Corey Taylor and the sonic throwbacks featured in a track like “Custer.” This seems destined to be a live favorite due its anthemic usage of “cut me up” and “fuck me up.”
It’s not an album without faults. There are some inconsistent tracks. The band still has their predilection for melodic pursuits. But this is easily the groups most consistent album from start to finish. This is a welcome return to form for one of modern metal’s most revered (and despised) acts. One thing also that is a step in the right direction was the inclusion of Greg Fidelman to handle the production on the album and Joe Baressi to mix it, These two have brought the best of what Slipknot has to offer in 2014.
audioeclectica 