Mike Patton is one of the most prolific vocalists in music. Notice how I didn’t just say rock! Patton has one of the most unique voices and ranges too. All of the projects he has been a part of are interesting and fun. I’ve always been fond of Mr. Bungle and Peeping Tom especially. Here are a few of the songs Mr. Patton has guested on over the years.
The Melvins- G.I. Joe:
Rise Above (24 Black Flag songs to benefit the West Memphis 3)- Six Pack:
Bjork- Pleasure Is All Mine:
Team Sleep- KoolAid (Previously Unreleased):
The Dillinger Escape Plan- Irony Is A Dead Scene EP:
It’s been a while since I really sat down and listened to Megadeth. So the other day I put on their new album Dystopia and found I quite enjoyed it. To me it sounds like Dave was trying to recapture the feeling he and the band had during Rust In Peace. So much so, that Chris Adler’s drumming on the album has a Nick Menza feel to it. Anyways, I realized that Megadeth has 15, yes 15 albums, and I felt the need to rank them.
Rock music is alive and well. Armed with inspiration, influences and artistry, Black Map has officially cemented their place in rock with their new album In Droves. Consisting of 15 songs, well technically 12 if you don’t count the three interludes, In Droves breathes a much needed breath of fresh air to the rock world. Ben Flanagan (Bass/Vocals), Mark Engles (Guitar) and Chris Robyn (Drums) play off each other tremendously. They have the ability to be heavy without compromising melody.
Starting off the album is “Run Rabbit Run” this is a great start to the record. It’s rifftastic, heavy hitting and thumping with soaring vocals. From there the album takes a turn towards the melancholy with “Foxglove” then back to the rock with the melodically heavy “Ruin.” As the album continues with songs like “Heavy Waves,” Dead Ringer, “Octavia,” and “No Color” you can tell that Black Map has really dialed in their sound. By the time “Indoor Kid” kicks in, you can tell you that you’ve been experiencing an “ALBUM.” “White Fence” is drenched in atmosphere. While “Just My Luck” is a solid rocker. ” Cash For The Fears” is a solemn track that is full of depth and emotion. Closing out the album is the epic “Coma Phase,” which is a great summation of the album.
Black Map is a band for the times. Their sound is full of 90’s rock without being a copy. If I were asked to describe what Black Map sounds like I’d say Failure mixed with Helmet. The vocals and lyrics of Ben Flanagan are full of melody and deep. Mark Engles guitar work is showcased brilliantly. Bringing some of the ambience and atmosphere from Dredg, really helps to make the heavy riffs, their own. Chris Robyn is one of the most underrated drummers. His work in FAR alone deserves that nod, and his playing on this album is just as good. Black Map are the “X marks the spot” type of band if you are looking for the next great rock band.
I absolutely love finding bad cover songs and sharing them with you all. This one isn’t necessarily horrible but, it leaves a lot to be desired. Ministry is a hard band to cover and if you don’t do it right or justice, it’s going to end up a disappointment. Here is Limp Bizkit covering “Thieves” by Ministry.
Mastodon are one of the best bands to come out since the turn of the century. They have evolved as a band in the best possible way without compromising their artistic integrity. All of their albums, with the exception of The Hunter, are classics and influential. Their ability to write “albums” sets them apart from their peers in the rock and metal circles. Their new album Emperor Of Sand (in stores March 31,2017), is gearing up to be an album of the year contender. From the three songs released, you can tell that Troy, Brann, Bill, and Brent are in sync and ready to deliver another gem.
I will be the first to admit that after the past two albums Darkest Hour released, (The Human Romance and their Self Titled album) I had lost interest. The line up changes and musical shift that was happening really just wasn’t cutting it for me. But now on their ninth studio album, Darkest Hour has found their way back to what made them great. I’ve always regarded the band as a very underrated treasure. Musically they combine all the elements I enjoy from punk, thrash and Swedish melodic death metal. On this new album Godless Prophets & The Migrant Flora, Darkest Hour have cemented themselves as a force to be reckoned within the heavy music circles.
The moment the first song “Knife In The Safe Room” begins, you know that you are in for a treat. Every single song on this album is something special. In particular ” Timeless Numbers,” “None Of This Is The Truth,” “The Flesh and the Flowers of Death,” “Those Who Survived,” “Enter Oblivion,” “In The Name of Us All,” and closer “Beneath It Sleeps.” Guitarists Mike Schleibaum and Michael “Lonestar” Carrigan have never sounded better together. Along with the input and contributions of former member Kris Norris, the guitar work on this album is what fans have been wanting for years. Drummer Travis Orbin and bassist Aaron Deal have finally hit their stride as a rhythm section. As much as I miss Ryan and Paul in the band, if this is the direction Travis and Aaron are going to go, I’m more than satisfied. Vocalist John Henry has really stepped up his game lyrically and vocally. Personally I think this is the best he has sounded since Undoing Ruin.
The choice to work with producer Kurt Ballou was a great choice. Kurt was really able to dial in on the tones needed to make this a special album. In fact this album is one of the best I’ve heard Kurt produce and record outside of Converge, since High On Fire’s De Vermis Mysteriis. Armed with this album and a renewed sense of purpose, Darkest Hour are roaring back with a no holds barred approach. Godless Prophets & The Migrant Flora is an album that will be looked back up in the bands catalog as a standout. The band should be really proud of what they have created. I as a fan, am really stoked on this album. This is everything that Darkest Hour should be.
The first six Black Sabbath albums are highly regarded in the rock and metal circles. I personally think the first four are the ones that should be the ones that are highly touted. The other two contain quite a lot of filler. That’s just my opinion though. So, with all this in mind here are the Ozzy era Black Sabbath albums ranked from not their best to the best.