Corrections House at the Echoplex



It’s very rare now a days for bands to take a real chance, do something different and out of their normal realm. With that being said, Corrections House is one of the most intense, thought provoking live bands. Sanford Parker’s (Minsk) brooding beats, layers and effects, along with the signature tone from Scott Kelly (Neurosis), Bruce Lamont’s (Yakuza) dark and ominous saxophone and Mike IX Williams (EyeHateGod) carefully crafted words captivate the audience with such force it’s near impossible to run away. The sheer magnitude of volume and creativity that goes into each song is shown through live. The words Blood Sweat and Tears come to mind when describing the art and realism about this band. The lyrical themes are inspired by Mike William’s book “Cancer As A Social Activity.” When Mike screams/speaks (yes there are moments of spoken word), it makes the live show even that much more intriguing. Nothing is trivial at the show. The song “Serve or Survive” stood out the most and shows the destruction and chaos of each member live, all the while delivering one hell of an unrelenting beating of the soul. Their debut album Last City Zero was produced by Parker at Electrical Audio, Soma Studios, 60 Psycho Hum and Nodferatu’s Lair, and delivers a tour de force of dark destructive soundscapes full of lush verses that convey messages of the turmoils of life, peril, and decay of society.


Opening the show was Author & Punisher aka Tristan Shone. Armed with his homemade machines, which are tapped into his actual self, the music that is created is literally an extension of himself. The music can be described as “industrial doom.” It is one thing to listen to the records for Author & Punisher, but it’s an entirely amazing beast to see it live. Setup behind his creation and in front of a screen displaying vivid images and different points of view of the contraptions, “this one-man project utilizes primarily custom designed and fabricated machines and speakers, devices that draw heavily on industrial automation and robotics. The machines are designed to require significant participation and force from Tristan.” Thus making Tristan look like a caged animal just trying to pry his way out. It’s not easy to describe in words what you are seeing. It really is quite a spectacle to see.

Both bands are something not to miss live. Even if this isn’t your cup of tea, it’s is surely something you won’t forget and will talk about. This is almost art imitating life, in it’s most real sense.

Review by: Brian Lacy

Photos by: LEVAN TK

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s